In August, I took an unexpected trip to Germany and the Nordic countries. I hadn’t planned on going, but the stars suddenly aligned, and I found myself wrapping up projects and packing my bags for Hamburg.
I’ll save the details for another post, but spending time with professional writers got me thinking about some of the good books I’ve read recently, and want to emulate. I generally don’t review books I don’t like, so if you see it here, there was something special about it.
Mary Robinette Kowal
It’s World War I and the Allied Powers are taking intelligence reports from the ghosts of dying soldiers. Pretty solid strategy until the Central Powers find out, and the cloak and dagger starts. This collision of ordinary and supernatural put a new spin on the themes of love and war. The entire story is enjoyable, but I particularly liked watching the deceased soldiers make their final report. The pathos of these moments—as the soldiers realize they have died and this is their last communion with the physical world—created a weighty texture for me, and begged the question, “What message would I send?”
THREE PARTS DEAD
Feels like science fiction, but is fantasy. Magical power is traded in contracts, and even the poorest villages rely on that power. When the biggest brokers fall, wielders “Craft” are called on to patch things up before nations tumble. But sometimes the contracts are complicated, and riddled with Craft-sucking parasites that don’t go quietly. Oh, and the biggest brokers of power are the gods.
The stakes are high, the characters well-drawn, and the plot is intricate and almost unpredictable. Gladstone borrows nothing from the fantasy tropes of yesteryear, except maybe the concept of “mostly dead.”
I especially liked the cigarette, though I don’t smoke.
Post-apocalyptic gene thriller for young adults. Partials is about surviving in a world where young adults aren’t the dominant life form anymore, about a disease that kills every newborn, and about the genetic experiment that doesn’t quite bring humanity back from the brink. There is an angsty teenager and the beginnings of a triangle, but even if YA isn’t your cup of tea, the story is pretty awesome. I’d recommend the beginning of the book for young adult readers, and the rest of the book for everybody.
LAMENTATIONS: PSALMS OF ISAAK
Reads like fantasy, but is science fiction… I think. Lamentations starts with the city of Windwir burning to the ground. Of its splendor and glory, only the mecho-serviteurs remain, caught between warring factions who arrive late on the scene to apportion blame and profit from the apocalyptic disaster. Magicked scouts (drugged men) move with such great speed and silence that skirmishes and battles are fought in the anticipated rush of wind and unseen tactical guesswork. I enjoyed the character arcs for each POV, and the audio version’s multiple narrators. (I don’t usually enjoy multiple narrators. There’s something about that bass voice, though.)
HOUSES OF COMMON
Derick William Dalton
Houses of Commons felt like coming home. Ranyk works for an optimistic, government-run space agency hampered by red-tape and political interference. Ranyk just wants to do his job–terraform worlds for political refugees—but unfortunately, his entire team is caught in the cross-fire of conflicting conspiracies. And Ranyk’s crusty exoskeleton and sarcastic wit haven’t exactly improved the situation.
Some Amazon reviewers say Houses of Commons is “too smart,” but I really liked it. Not only was the humor right up my alley—“You named your helmet? And its name is Helmut?”—but the science is plausible and the characters well-developed. I’d recommend Houses of Common to smart people, smart-mouthed people, and people who like NASA, xenobiology, and political intrigue. My one hang-up was the cliff-hanger ending. I’ve never been a fan of cliff hangers , but the brilliant sarcasm outweighs the discomfort of having to order the sequel.
MOTE IN GOD’S EYE
Jerry Pournelle & Larry Niven
Landmark Science Fiction. Commander Roderick Blaine and the staff of INSS MacArthur are tasked with first contact to an older and more intelligent alien civilization. Inexplicably, these “Moties” have been stuck in their own star system for several millennia, despite the existence of faster than light travel (Alderson drives) and shields (Langston fields). During diplomatic exchanges, the MacArthur is destroyed, leaving Blaine and his crew on a political tightrope with no “good” solutions.
I loved reading The Mote in God’s Eye. Both humans and Moties demonstrate valid and persuasive competing interests. I liked both parties so much I found myself looking for a loopholes allowing each to succeed in spite of mutually exclusive competing interests. Many of the characters were equally complex, with several demonstrating both villainous and heroic agendas. I would recommend this story to everyone, but especially to those interested in landmark science fiction, efficient storytelling, and deep conflict.
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